I have a new album out this year. It’s called ‘Metaphysical Attractions’ and it’s turning out to be my favourite John Irvine Band album yet.
It’s taken me five years to get this one near completion. Mainly because I decided to write a sci-fi book trilogy after the completion of ‘Next Stop’ in 2013. But it has gradually come together.
It’s amazing how that happens; how the brain takes it’s own sweet time making the decisions (or at least mine does) that put things together.
I often think of people who have concentrated solely on one artistic career – the writer who only writes, the musician who only plays – and wonder if they ever get a hankering for doing something different. Trying a new form or genre?
I’ve met very few people in my time who like to try their hand at a different art form than the one they normally do. Of course, having the time to do other things is hard to find.
1979: Growing up in southern Ontario in the 70s, FM radio was the soundtrack to your existence. The music came in from Toronto (CHUM FM, Q107) and played a mix of stadium rock (Styx, Journey, Kansas) and AOR (mainly the Westcoast type like Toto, The Doobie Brothers, Steely Dan and so forth). Fleetwood Mac were all over the place – there was a fair share of disco, too.
Those of you out there who know their stuff will no doubt be familiar with the topic of today’s blog: the paradigm analysis. And those of you with a bit of knowledge of linguistics, and what-not, will recognise the name Ferdinand de Saussure, the French structuralist and semiologist. If you do, you’re probably more prepared than the average blogger for what is about to come and can skip over a few paragraphs below. If not, read on, grasshopper…