The Death Of Progressive Rock: Addendum

Following my post 1979: The Death Of Progressive Rock & The Jazz/Folk/Acoustic Amalgam, I began to think more about what I’d written. Was I being too hard on the Prog scene by saying it was virtually dead by 1979? Surely there was some life in it yet? But then I thought, what does the sentimental side of me say about this? It said ‘no, you were not’. And my logical side, of course, agreed. Continue reading “The Death Of Progressive Rock: Addendum”

1979: The Death Of Progressive Rock & the Jazz/Folk/Acoustic Amalgam

1979: Growing up in southern Ontario in the 1970s, FM radio was the soundtrack to your existence. The music came in from Toronto (CHUM FM, Q107) and played a mix of stadium rock (Styx, Journey, Kansas) and AOR (mainly the Westcoast type like Toto, The Doobie Brothers, Steely Dan and so forth). Soft rock and Fleetwood Mac was/were all over the place – there was a fair share of disco, too. Continue reading “1979: The Death Of Progressive Rock & the Jazz/Folk/Acoustic Amalgam”

The ‘Watermelon In Easter Hay’ Paradigm Analysis

Those of you out there who know their stuff will no doubt be familiar with the topic of today’s blog: the paradigm analysis. And those of you with a bit of knowledge of linguistics, and what-not, will recognise the name Ferdinand de Saussure, the French structuralist and semiologist. If you do, you’re probably more prepared than the average blogger for what is about to come and can skip over a few paragraphs below. Continue reading “The ‘Watermelon In Easter Hay’ Paradigm Analysis”