Rip It Up And… Don’t Start Again: How Music Is A Universal Noise.

I’ve not written a blog for a while now, so I figured I’d knock off a quick one about a couple of my favourite musical bugbears that I hear people bandying about willy-nilly…

And here they are:

1. “Music that I don’t like is just a noise”.

and

2. “Music is a universal language”.

Arggggh! Continue reading “Rip It Up And… Don’t Start Again: How Music Is A Universal Noise.”

Weighing Up The Scales: Does Your Left-Hand Know What The Right-Hand Is Doing?

So, a while back, I was teaching a bit of compositional theory (as you do) and I asked the students a seemingly outrageous question: “What is the purpose of the harmonic minor scale? Why is there a raised 7th in there?”

Blank looks.

But I was not deterred and thought I’d push them even further… “OK, what about the melodic minor scale? A raised 7th AND a raised 6th.”

Silence.

“Anyone?”

Tumbleweed, and a bell tolling in the distance… Continue reading “Weighing Up The Scales: Does Your Left-Hand Know What The Right-Hand Is Doing?”

The ‘Watermelon In Easter Hay’ Paradigm Analysis

Those of you out there who know their stuff will no doubt be familiar with the topic of today’s blog: the paradigm analysis. And those of you with a bit of knowledge of linguistics, and what-not, will recognise the name Ferdinand de Saussure, the French structuralist and semiologist. If you do, you’re probably more prepared than the average blogger for what is about to come and can skip over a few paragraphs below. Continue reading “The ‘Watermelon In Easter Hay’ Paradigm Analysis”